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Bibliography: Sovereignty and Resistance in Contemporary Mexican Cinema

  • Agamben, Giorgio, State of Exception (Chicago, Ill. ; London, Chicago: University of Chicago Press, 2005)
  • Buchenau, Jürgen, and Madison Green, ‘Chapter 10: “If You Don’t Cheat, You’ll Face Defeat": La Ley de Herodes, Corruption, and Authoritarianism in Mexico’, in Latin American History at the Movies, ed. by Donald Fithian Stevens editor, Latin American Silhouettes (Lanham: Rowman & Littlefield Publishers, 2022)
  • Butler, Judith, ‘Introduction: Precarious Life, Grievable Life’, in Frames of War: When Is Life Grievable?, Radical Thinkers (London: Verso, 2016), pp. 1–32
  • Chávez, Daniel, ‘The Eagle and the Serpent on the Screen: The State as Spectacle in Mexican Cinema’, Latin American Research Review, 45.3 (2010), 115–41
  • Dove, Patrick, Literature and Interregnum: Globalization, War, and the Crisis of Sovereignty in Latin America (Albany: State University of New York Press, 2016) – “Introduction” and “Afterword: From Ciudad Juárez to Latin America”
  • Gillingham, Paul, and Benjamin T. Smith, ‘Introduction. The Paradoxes of Revolution’, in Dictablanda: Politics, Work, and Culture in Mexico, 1938-1968 (New York: Duke University Press, 2014), pp. 1–43
  • Herlinghaus, Hermann, ‘From Walter Benjamin’s Early Writings to the Perils of Global Modernity’, in Violence without Guilt: Ethical Narratives from the Global South / Hermann Herlinghaus., New Directions in Latino American Cultures (Basingstoke: Palgrave Macmillan, 2009), pp. 3–28
  • Paz, Mariano, ‘City of Fury: Urban Violence, Dystopia and Anti-Utopia in Nuevo Orden and Era Uma Vez Brasília’, Forum for Modern Language Studies, 59.1 (2023), 89–106
  • Podalsky, Laura, The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico, 1st ed (New York: Palgrave Macmillan, 2011)
  • Sánchez Prado, Ignacio M., Screening Neoliberalism: Transforming Mexican Cinema, 1988-2012 (Nashville: Vanderbilt University Press, 2014)
  • Segato, Rita Laura, ‘Territory, Sovereignty, and Crimes of the Second State: The Writing on the Body of Murdered Women’, in Territory, Sovereignty, and Crimes of the Second State: The Writing on the Body of Murdered Women (Duke University Press, 2010), pp. 70–92
  • Steinberg, Samuel, ‘4. Exorcinema: Spectral Transitions’, in 4. Exorcinema: Spectral Transitions (University of Texas Press, 2016), pp. 114–45
  • Thornton, Niamh, ‘Mexico 1968 on Film: Screening State Violence’, in Revolution and Rebellion in Mexican Film (London: Bloomsbury, 2018), pp. 103–30
  • Velazco, Salvador, ‘Rojo Amanecer y La Ley de Herodes: Cine político de la Transición Mexicana’, Hispanic Research Journal, 6.1 (2005), 67–80 
  • Williams, Gareth, The Mexican Exception: Sovereignty, Police, and Democracy, 1st ed. (New York, Basingstoke: Palgrave Macmillan, 2011)