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Bibliography: Constellations of Collaboration: Textile Art and Memorialisation in Abya Yala

Titles marked in bold are the most directly relevant or useful for the seminar.

  • Adams, Jacqueline. 2012. Surviving Dictatorship: A Work of Visual Sociology. New York; London: Routledge.
  • Agosín, Marjorie. 1987. Scraps of Life: Chilean Arpilleras: Chilean Women and the Pinochet Dictatorship. Trenton, NJ: Red Sea Press.
  • Andrä, Christine, Berit Bliesemann de Guevara, Lydia Cole, and Danielle House. 2019. “Knowing Through Needlework: Curating the Difficult Knowledge of Conflict Textiles.” Critical Military Studies, November, 1–19.
  • Arias López, Beatriz Elena. 2017. “Entre-tejidos y Redes. Recursos estrategicos de cuidado de la vida y promocion de la salud mental en contextos de sufrimiento social.” PRTS Prospectiva Revista de Trabajo Social e Intervencion social, no. 23: 51–72.
  • Bacic, Roberta. 2014. “The Art of Resistance, Memory, and Testimony in Political Arpilleras” in Stitching Resistance Women, Creativity and Fiber Arts. Edited by Marjorie Agosín. Tunbridge Wells Solice Press.
  • Bello Tocancipá, Andrea Carolina, and Juan Pablo Aranguren Romero. 2020. ‘Voces de hilo y aguja: construcciones de sentido y gestión emocional por medio de prácticas textiles en el conflicto armado colombiano.’ H-ART. Revista de historia, teoría y crítica de arte 6 (2020), 181-204.
  • Bourdieu, Pierre. The Field of Cultural Production. Cambridge: Polity Press, 1993.
  • Dillon, Lorna. Violeta Parra’s Visual Art: Painted Songs. Cham: Palgrave, 2020. (81-114).
  • Escobar, Ticio. El mito del arte y el mito del pueblo. Santiago: Ediciones Metales Pesados.
  • Fuentes, Marcela. 2019. Performance Constellations: Networks of Protest and Activism in Latin America. Ann Arbor University of Michigan Press.
  • Gago, Veronica and Marta Malo, eds. 2020. “Introduction: The New Feminist Internationale” The South Atlantic Quarterly (119:3), 620-626.
  • González Arango, Isabel Cristina. 2014. “Un derecho elaborado puntada a puntada. La experiencia del Costurero Tejedoras por la Memoria de Sonsón” Revista Trabajo Social, (18-19). 79-99.
  • Jelin, Elizabeth. 2003. State Repression and the Labors of Memory. Minneapolis, University of Minnesota Press.
  • Matz, Maria. 2019. Cyberspace as a Tool for Political and Social Awareness: The Killings of Juárez in Online Activism in Latin America edited by Hilda Chacon, 201-211.
  • Olalde Rico, Katia. 2019. Una Víctima, Un Pañuelo. Bordado y Acción Colectiva Contra La Violencia En México. Coyoacán: Red Mexicana de Estudios de los Movimientos Sociales A.C.
  • Olalde Rico, Katia A F - Universidad Nacional Autónoma de México. 2019. “Bordando Por La Paz y La Memoria En México: Feminidad Sin Sumisión y Aspiraciones Democráticas.” Debate Feminista 58: 1–30.
  • Olalde, Katia and Tania Andrade Olea. 2020. Hilvanar a “sana distancia”: tacto, tela y memoria en tiempos de Covid-19 Conceição / Conception, Campinas, SP (9), 1-17.
  • Pérez Osorio, dir. 2020. The Three Deaths of Marisela Escobedo (Las tres muertes de Marisela Escobedo), on Netflix.
  • Richard, Nelly. Postmodern Decentredness and Cultural Periphery: the Disalignments and Realignments of Cultural Power. In Beyond the Fantastic, Edited by Gerardo Mosquera
  • Rush, Peter and Olivera Simic. 2014. The Art of Transitional Justice: Culture, Activism and Memory after Atrocity (New York: Springer Verlag).
  • Shepard, Mathilda Eliza. 2019. ‘Desplazamiento entretejidos: imaginarios transicionales y la diasporizacion de la memoria en los Tejidos De Mampujan’ Revista de Estudios Colombianos (53 Jan-Jun) ,74-87.