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Lucy Bollington

Lucy Bollington

Biography

I graduated with a First Class BA (Hons) degree in the History, Literature and Cultures of the Americas from the University of Warwick, where I received the Chris Clark Prize for my examination performance and the History Department’s Felix Dennis Prize for my finalist dissertation. I spent the third year of my undergraduate degree at Columbia University in New York City, studying Comparative Literature, Spanish, English and History. Following this, I moved to Cambridge to complete an MPhil in Latin American Studies with Distinction, funded by the Cambridge Home and European Scholarship Scheme. I began my AHRC-funded PhD in October 2014, under the supervision of Dr Geoffrey Kantaris. Throughout my PhD I have been Research Assistant to the Head of Spanish and Portuguese, Professor Brad Epps.

Research

Thesis: Reframing Excess: Death and Power in Contemporary Mexican Literary and Visual Culture

My PhD is a study of the politically charged literary and visual works that have emerged in response to escalating violence in contemporary Mexico. Providing close readings of fictional, theoretical and documentary works by award-winning authors such as Cristina Rivera Garza and Mario Bellatin and critically-acclaimed filmmakers including Carlos Reygadas and Natalia Almada, I examine cultural engagements with topics such as the political assassinations of the 1990s; the precariousness and dispossession brought on by neoliberalism; and the stark increase in violence prompted by the so-called ‘War on Drugs’.

The cultural texts I examine share a concern with visualising and deconstructing the close relationship between death and power that marks the political terrain. With reference to themes of narrative, visuality, embodiment and portrayals of the nonhuman, I trace out the ways in which these texts commonly employ a poetics rooted in dispersal, displacement and loss when approaching contemporary violence. These poetics, I argue, invoke novel questions about the relationship between aesthetics and violence, speak to critical shifts in the relationship between culture and the nation-state, and indicate transformations in the idea of the political.

I aim to offer an innovative framework through which to theorise these cultural processes by reframing the notion of ‘excess’, a foundational concept in scholarship on death and power that has seen a resurgence in contemporary political philosophy. In dialogue with authors such as Georges Bataille, Achille Mbembe, Adriana Cavarero, Roberto Esposito, Michel Foucault and Jacques Rancière, and with close reference to the burgeoning body of necropolitical theory authored in Mexico, I posit excess as an analytical term that encompasses both reflexive critiques of spectacular violence and latent forms of resistance to this violence that proceed through a lexicon of loss.

Publications

I. Edited Collections

  • Bollington, Lucy and Merchant, Paul (eds). The Limits of the Human in Latin American Culture. Under contract with the University Press of Florida.

II. Articles in Peer-Reviewed Journals

III. Chapters in Edited Collections

  • (Under review). Bollington, Lucy. ‘Displacing Drug War Violence onto Nonhuman Imaginaries: A Rereading of Juan Pablo Villalobos’ Fiesta en la madriguera’. In Lucy Bollington and Paul Merchant (eds.) The Limits of the Human in Latin American Culture. Gainesville, Florida: University Press of Florida, under contract.

IV. Translations

  • Translated two chapters from Spanish into English for Joanna Page and María Blanco (eds), Latin America at the Vanguard: Science and its Imaginaries (University Press of Florida, forthcoming):
  • Comastri, Hernán. ‘Inventions and Discoveries in Letters to Perón: Dialogue and Autonomy in the Popular Technical Imagination in Argentina in the 1940s and 1950s’.
  • Quereilhac, Soledad. ‘Modernismo, Spiritualism and Science in Argentina at the Turn of the Twentieth Century: An Analysis of National Magazines’.

For an updated list of my publications, please see my academia.edu page

Teaching Experience (2015-present)

I. Postgraduate teaching

  • Designed a seminar on animals, landscapes and violence in contemporary Latin American film for the ‘Latin American Film and Visual Arts’ MPhil module
  • Supervised assessed work on feminist science fiction film for the MPhil in Film and Screen Studies
  • Directed MPhil dissertations for the Centre of Latin American Studies and the Centre for Film and Screen on the topics of Guatemalan cinema and Southern Cone televisual political satire.

II. Undergraduate teaching

During my PhD, I have taught Hispanic literature and visual culture across multiple periods and national contexts, from Spanish Golden Age literary texts to contemporary Latin American art, literature and cinema. I have also taught European film theory and film history, and translation from Spanish into English. Specifically, I have led seminars and/or engaged in small-group teaching on the following papers at the University of Cambridge:

  • ‘Introduction to the Language, Literatures and Cultures of the Spanish-Speaking World’ (SP1), first-year undergraduate paper
  • Translation from Spanish into English (SPB2), first and second-year undergraduate paper
  • Ab initio translation from Spanish into English (SPA2), first-year undergraduate paper
  • ‘Introduction to Hispanic Literature (ab initio)’ (SPA3), first-year undergraduate paper
  • ‘Latin American Culture and History’ (SP5), second-year undergraduate paper
  • ‘Latin American Culture’ (SP12), final-year undergraduate paper
  • ‘Contemporary Latin American Culture’ (SP13), final-year undergraduate paper
  • ‘European Film’ (CS6), final-year comparative undergraduate paper
  • I have directed seven undergraduate dissertations on topics including contemporary Latin American slow cinema, post-Boom detective novels from Mexico, engagements with violence in Mexican and Colombian culture, post-dictatorship Argentine cinema, and feminist auteur filmmaking from Spain and France.

Experience Convening Conferences, Seminars and Panels

  • July 2017. Principal convenor of a three-day seminar on Necropolitics in Theory and Culture for the American Comparative Literature Association Conference in Utrecht
  • January 2017. Conference: ‘The Limits of the Human in Latin American Visual Culture’ University of Cambridge. Co-organised with Paul Merchant.
  • June 2016. Graduate Conference: ‘Contagion and Containment’, University of Cambridge. Co-organised with graduate student colleagues.
  • April 2016. Panel: ‘Questions of Identity and Post-Identity in Latin American Cultural Studies’, for the Society for Latin American Studies’ 60th Anniversary Conference at the University of Liverpool. Co-organised with Emily Baker.

Conference Presentations

  • July 2017. Paper: ‘The Paradoxes of Modern Sovereignty in Mexico: A Literary Analysis’, American Comparative Literature Association Conference, Utrecht
  • May 2016. Paper: ‘Necropolitical Homes and Imaging Technologies in Amat Escalante’s film Heli’, Latin American Studies Association 60th anniversary conference, New York City
  • May 2016. Paper: ‘Posthuman Necropolitics in Mario Bellatin’s Salón de belleza’, Materials in Practice Symposium, Cambridge
  • April 2016. Paper: ‘Promiscuous Disidentification in Mario Bellatin’s Jacobo el mutante’, Society of Latin American Studies 50th anniversary conference, University of Liverpool
  • February 2016. Paper: ‘Incestuous Desire and Crip Excess in Mario Bellatin’s ‘Mi piel, luminosa’, ‘Mad Love’ Comparative Literature Conference, UCLA
  • May 2015. Paper: ‘Escribir sin escribir: The Aesthetic Philosophy of Mario Bellatin’, ‘Beyond Speech: Silence and the Unspeakable Across Cultures’, University of Manchester