Bibliography: Art and the Making of Indigeneity in Mexico 

• Alonso, Ana Maria 2004. Conforming Disconformity: “Mestizaje,” Hybridity, and the Aesthetics of Mexican Nationalism. Cultural Anthropology 19(4): 459–490. 
• Bakewell, Liza 1995.  “Bellas Artes” and “Artes Populares”: The Implications of Difference in the Mexico City Art World. In Looking High and Low: Art and Cultural Identity. Brenda Jo Bright and Liza Bakewell, eds. Pp. 19–54. Tucson, AZ: University of Arizona Press. 
• Brulotte, Ronda 2009. “Yo soy nativo de aquí”: The Ambiguities of Race and Indigeneity in Oaxacan Craft Tourism. The Journal of Latin American and Caribbean Anthropology, 14: 457–482.
• Cant, Alanna 2016. The Art of Indigeneity: Aesthetics and Competition in Mexican Economies of Culture Ethnos 81(1): 152-177 
• Carruthers, David (2001) The Politics and Ecology of Indigenous Folk Art in Mexico. Human Organization: Winter 2001, Vol. 60, No. 4, pp. 356-366. 
• D’Ascia, Luca 2007. ¿Quién Habla En La Oreja De Einstein? Arte Indígena Contemporáneo En El Estado De Chiapas (México). Boletín de Antropología, Universidad De Antioquia, Medellín, Colombia 21(38): 11-40 
• García Canclini, Néstor 1993a. Transforming Modernity: Popular Culture in Mexico [Translation of Las Culturas Populares En El Capitalismo (1983)]. (Trans.) Lidia Lozano. Austin: University of Texas Press.
• ------ 1993b. Los Usos Sociales Del Patrimonio Cultural. In El Patrimonio Cultural De Mexico (ed.) Enrique Florescano. Mexico City, Mexico: Fondo de Cultura Economica, pp. 41–61.
• Gledhill, John 1998.  The Indigenous Past in the Mexican Present. In The Archaeology of Mesoamerica: Mexican and European Perspectives. Warwick Bray and Linda Manzanilla, eds. London: British Museum Press. 
• Helland, Janice 1990/91. Aztec Imagery in Frida Kahlo's Paintings: Indigeneity and Political Commitment. Woman's Art Journal 11(2): 8-13 
• Katzew, Ilona 2005. Casta Painting: Images of Race in Eighteenth-Century Mexico. New Haven: Yale University Press.