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Bibliography: The Transnational Queer

Titles marked in bold are the most directly relevant or useful for the seminar.

  • Altman, Dennis. ‘Global Gaze / Global Gays’, GLQ, vol. 3, no. 4 (1997), pp.417-436. [Moodle]
  • -------------. ‘On Global Queering’, Australian Humanities Review, (July 1996), n.p.
  • Binnie, John. ‘Locating Queer Globalization’. In The Globalization of Sexuality (London: Sage, 2004), pp. 32-49.
  • Brown, Christopher, and Pam Hirsch. ‘Introduction: The Cinema of the Swimming Pool’. In Cinema of the Swimming Pool, ed. by Christopher Brown and Pam Hirsch (Oxford: Peter Lang, 2014), pp. 1-20.
  • Calafell, Núria. ‘Relato de un cuerpo en conflicto: XXY de Lucía Puenzo’, Revista Letral, vol. 13 (2014), pp. 54-65.
  • Cavalcante da Silva, Simone. ‘The Space of Queer Masculinities in Karim Aïnouz’s Praia do Futuro’. In Space and Subjectivity in Contemporary Brazilian Cinema (London: Palgrave Macmillan, 2017), pp. 169-183.
  • Clark, Zoila. ‘Our Monstruous Humanimality in Lucía Puenzo’s XXY and The Fish Child’, Hispanet Journal, vol. 5 (2012), n.p.
  • Edelman, Lee. No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004).
  • Epps, Brad. ‘Retos y riesgos, pautas y promesas de la teoría queer’, Debate Feminista, vol. 36 (2007), pp. 219-272.
  • Foster, David William. Queer Issues in Contemporary Latin American Cinema (Austin, TX: University of Texas Press, 2004).
  • Fradinger, Moira. ‘Cuerpos anfibios: metamorphosis y ectoentidad sexual en XXY (2007) de Lucía Puenzo’, Cuadernos de literatura, vol. 10, no. 40 (2016), pp. 357-381.
  • Frohlich, Margaret. ‘What of Unnatural Bodies? The Discourse of Nature in Lucía Puenzo’s XXY and El niño pez’, Studies in Spanish and Latin American Cinemas, vol. 8, no. 2 (2012), pp. 159-174.
  • Grewal, Inderpal, and Caren Kaplan. ‘Global Identities: Theorizing Transnational Studies of Sexuality’, GLQ, vol. 7, no. 4 (2001), pp. 663-679.
  • Maguire, Geoffrey. ‘Slow Waters: Marco Berger’s Taekwondo and the Queer Erotics of Boredom’, Screen, vol 61, no. 2 (2020), pp. 191-206. (Moodle)
  • ———. ‘Visual Displeasure: Adolescence and the Erotics of the Queer Male Gaze in Marco Berger’s Ausente’. In New Visions of Adolescence in Contemporary Latin American Cinema, ed. by Geoffrey Maguire and Rachel Randall (New York: Palgrave Macmillan, 2018), pp. 37-57.
  • Marks, Laura. 'The Memory of Touch'. In The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (Durham: Duke University Press, 2000). [Chapter 3 on Moodle]
  • Martin, Deborah. ‘Planeta Ciénaga: Lucrecia Martel and Contemporary Argentine Women’s Filmmaking.’ In Latin American women filmmakers: production, politics, poetics, ed. by Deborah Shaw and Deborah Martin (London: Tauris & Co, 2017). [Moodle]
  • ———. ‘Growing sideways in Argentine cinema: Lucía Puenzo’s XXY and Julia Solomonoff’s El último verano de la boyita, Journal of Romance Studies, vol. 13, no. 1 (2013), pp. 34-48.
  • Mulvey, Laura. ‘Visual Pleasure and Narrative Cinema’. In Film Theory and Criticism: Introductory Readings, ed. by Leo Braudy and Marshall Cohen (New York: Oxford University Press, 1999 [1975]), pp. 833-844.
  • Pagnoni Berns, Fernando Gabriel. ‘Water and Queer Intimacy’. In Space and Subjectivity in Contemporary Brazilian Cinema, ed. by Antônio Márcio da Silva and Mariana Cunha (Cham, Switzerland: Palgrave Macmillan, 2017), pp. 185-200. [Moodle]
  • ———. ‘Cartographies of Desire: Swimming Pools and the Queer Gaze’. In Cinema of the Swimming Pool, ed. by Christopher Brown and Pam Hirsch (Oxford: Peter Lang, 2014), pp. 229-237.
  • Povinelli, Elizabeth, and George Chauncey (eds.). ‘Thinking Sexuality Transnationally’, GLQ, vol. 5, no. 4 (2001), pp. 439-450.
  • Schoonover, Karl, and Rosalind Galt. 'The Emergence of Queer Cinematic Time'. In Queer Cinema in the World (Durham: Duke University Press, 2016). [Chapter 6 on Moodle]
  • Subero, Gus. Queer Masculinities in Latin American Cinema: Male Bodies and Narrative Representations (London: I.B. Tauris, 2013).
  • Venkatesh, Vinodh. 'Introduction'. In New Maricón Cinema: Outing Latin American Film (Austin, TX: University of Texas Press, 2016). [Introduction on Moodle]