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Bibliography: Cuban Film of the Special Period: Politics, Sexuality and Aesthetics

  • Chanan, Michael, Cuban cinema (Minneapolis: U Minnesota P, 2004).
  • ____________, “Remembering Titón,” Jump Cut, No. 41 (May 1997), pp. 126-129.
  • Davis, Catherine, “Surviving (on) the Soup of Times: Postmodernism, Politics, and Culture in Cuba,” Latin American Perspectives, Vol. 27 No. 4, pp. 103-121.
  • González, Reynaldo, Cine cubano: ese ojo que nos ve (San Juan [PR]: Ed. Plaza Mayor, 2002).
  • Gutiérrez Alea, “The viewer’s dialectic” Jump Cut, No. 29 (February 1984), pp. 18-21.
  • Jameson, Fredric, Postmodernism and the Cultural Logic of Late Capitalism (Durham: Duke UP, 2001).
  • King, John.  Magical Reels: A History of Cinema in Latin America (London: Verso, 2000).
  • New Latin American Cinema, Vols. 1 & 2. (Detroit: Wayne State UP, 1997).
  • Santí, Enrico Mario, “Fresa y chocolate: The Rhetoric of Cuban Reconciliation,” Modern Language Notes, Vol 113 No. 2 (March 1998), pp. 407-425.
  • Sedgwick, Eve Kofovsky,  “Homosocial desire,” Between Men: English Literature and Male Homosocial Desire (NY: Columbia UP, 1985) pp. 134-160.
  • Smith, Paul Julian, “Fresa y chocolate: Cinema as Guided Tour,” Vision Machines (London: Verso, 1996) pp. 81-100.
  • Stock, Ann Marie.  On Location in Cuba: Street Filmmaking During Times of Transition (Chapel Hill: U North Carolina P, 2009).