Centre of Latin American Studies

Cultural Studies Section

Memory and Representation in Post-dictatorship Argentine Cinema

Aguilar, Gonzalo. Otros mundos: Un ensayo sobre el nuevo cine argentino (Buenos Aires: Santiago Arcos, 2006), pp. 175-91*

Amado, Ana. La imagen justa: Cine argentino y política (1980-2007) (Buenos Aires: Colihue, 2009), pp. 185-97. (on Los rubios)

Amado, Ana. 'Los rubios y la disolución de la escena de la memoria' in El ojo que piensa, no. 5 (August 2003), online at http://www.elojoquepiensa.udg.mx/espanol/numero05/cinejournal/05_losrubios.html

Andermann, Jens. New Argentine Cinema (London: I.B. Tauris, 2012), pp. 106-121

Grant, Catherine. ‘Giving Up Ghosts: Eliseo Subiela’s Hombre mirando al sudeste and No te mueras sin decirme adónde vas’ in Rob Rix and Roberto Rodríguez-Saona, eds. Changing Reels: Latin American Cinema Against the Odds (Leeds: Trinity and All Saints University College, 1997), pp. 89-120*

Kantaris, Geoffrey. ‘The Repressed Signifier: The Cinema of Alejandro Agresti and Eliseo Subiela’ in Francisco Domínguez, ed., Identity and Discursive Practice: Spain and Latin America (Bern: Peter Laing, 2000), pp. 157-73*; see on-line version at: http://www.cus.cam.ac.uk/~egk10/notes/repressedsignifier.html

Nouzeilles, Gabriela, ‘Postmemory cinema and the future of the past in Albertina Carri’s Los rubios’, Journal of Latin American Cultural Studies 14:3 (2005)

Page, Joanna. Crisis and Capitalism in Contemporary Argentine Cinema (Durham and London: Duke University Press, 2009), pp. 152-79*

Reati, Fernando. ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’ in Latin American Literary Review, vol. 17 no. 34 (July-December 1989), 24-39*

Sarlo, Beatriz. Tiempo pasado (Buenos Aires: Siglo XXI, 2005), pp. 125-57*

 

An asterisk (*) indicates that a PDF of that item is available to download from the CamTools site.