Centre of Latin American Studies

Cultural Studies Section

Cinema and Political Protest in Latin America of the 1960s

Berthier, Nancy. ‘Memorias del subdesarrollo’ in Alberto Elena and Marina Díaz-López, The Cinema of Latin America (London: Wallflower Press, 2003), pp. 99-107*

Chanan, Michael. The Cuban image : cinema and cultural politics in Cuba (University of Minnesota Press, 2003)

Getino, Octavio and Susana Velleggia. El cine de las historias de la revolución: aproximación a las teorías y prácticas del cine político en América Latina (1967-1977) (Buenos Aires: Altamira, 2002) – particularly pp. 43-55 (‘Argentina’), pp. 76-81 (‘Cuba’) and pp. 125-68 (‘Los conceptos del cine en juego’)*

King, John. Magical Reels: A History of Cinema in Latin America (London and New York: Verso, 2000), pp. 65-72, 84-88*

Martin, Michael T., ed. New Latin American Cinema, Volume One: Theory, Practices and Transcontinental Practices (Detroit: Wayne State University Press, 1997). Various essays of interest.

Mestman, Mariano. ‘La hora de los hornos’ in Alberto Elena and Marina Díaz-López, The Cinema of Latin America (London: Wallflower Press, 2003), pp. 119-29*

Rancière, Jacques. 'Eisenstein's Madness,' in Film Fables (New York: Berg, 2006)

Rancière, Jacques. 'The Emancipated Spectator,' in The Emancipated Spectator (London and New York: Verso, 2009), pp. 1-23

del Sarto, Ana. 'Cinema Novo and New/Third Cinema Revisted: Aesthetic, Culture, and Politics,' Chasqui Vol. 34, No. 1 (2005), pp. 78-89

Solanas, Fernando and Octavio Getino. ‘Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World’ in Michael T. Martin, ed., New Latin American Cinema, Volume One: Theory, Practices and Transcontinental Practices (Detroit: Wayne State University Press, 1997), pp. 33-58*

Stam, Robert. ‘Third World Film and Theory’ in Film Theory: An Introduction (Oxford: Blackwell, 2000), pp. 92-102*

Stam, Robert. 'Beyond Third Cinema: The Aesthetics of Hybridity,' in Rethinking Third Cinema ed. by Anthony Guneratne and Wimal Dissanayake (New York: Routledge, 2003)

Tal, Tzvi. Pantallas y revolución: Una visión comparativa del Cine de Liberación y el Cinema Novo (Buenos Aires: Lumiere, 2005), pp. 59-73, 115-20, 227-38*

 

Xavier, Ismail. Allegories of Underevelopment: Aesthetics and Politics in Modern Brazilian Cinema (Minneapolis and London: University of Minnesota Press, 1997)

 

 

 

An asterisk (*) indicates that a photocopy of that item is available for consultation or copying in the Centre of Latin American Studies.